Bobby hackett embraceable you download

The recording on the other side of this disc: Serenade to a Shylock. Uploaded by jakej on July 16, Internet Archive's 25th Anniversary Logo. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest.

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Video Audio icon An illustration of an audio speaker. He had the uncanny ability to do exactly whatever any conductor in any situation demanded, perfectly, on the first try. He was completely capable of playing first trumpet, straight melodic solos, or quite acceptable jazz solos. As a result, he was the first-call trumpeter for every conductor he ever worked with, both on radio and recordings later also on films and television. He was, for almost his entire professional career, the highest paid studio musician in the nation.

He always had much more work than he could handle, and as a result, was required very frequently to send substitutes, almost always for the many rehearsals required by network radio later television or recording studio conductors. His subs were kept busy rehearsing, while he was overwhelmed playing live broadcasts and recording sessions. The two of them played any music in any situation for any conductor under any circumstances, with little or no rehearsal.

Margulis played lead, and Mannie played whatever solos were required, including the jazz. In this way, they were able not to exhaust themselves while playing literally dozens of radio broadcasts and studio recording sessions each week. Together, they made an unbeatable duo, and each earned huge sums of money. In late , Mannie moved from New York to Hollywood, where, with his brother Dave Klein, he also began operating as a musical contractor, gathering the musicians required by conductors for thousands of ad hoc broadcasts and recording sessions over the next twenty-five years, in addition to continuing his work as a peerless session man himself.

Klein and Gozzo appear in the photo at left. As an example of how beautifully Mannie played, here is a recording he made in with Glen Gray, who was leading a band of Hollywood studio musicians who were alumni of swing era bands in recording tributes to the great musicians of the swing era.

Hackett was unsatisfied with his performance on that recording, and recorded it again in after he had organized his own band. This simple setting for his rich-toned cornet provided him with a perfect showcase for this relaxed yet stimulating performance. His playing was always warm and gentle, like Hackett himself, but interesting from a jazz standpoint.

Hackett also played guitar and consequently had a marvelous chord sense. Bobby Hackett died June 7, , in Chatham, Massachusetts. Notes on the music by Joseph Kastner. Correction: The great picture of the trumpeter in the cap is not Mannie Klein. Compilations - Other albums which feature this performance of the song. Covers - Performances of a song with the same name by different artists.

The recording on the other side of this disc: Ain't Misbehavin'. Uploaded by jakej on March 7, Internet Archive's 25th Anniversary Logo. Search icon An illustration of a magnifying glass. User icon An illustration of a person's head and chest.

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